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A beautiful set of six rosewood dining chairs designed by Henning Sørensen and produced by Hos Dan-Ex Denmark in the 1950s. The warm tones of the Danish rosewood beautifully contrasts the new Kvadrat charcoal upholstery to provide an elegant set of chairs that would look at home in any dining setting.
Note: fabric colour is darker to the eye and presents lighter in product photography.
In excellent vintage condition, the frames are solid and present well whilst the chairs have been completely refoamed and reupholstered.
A rare and very beautiful set of gorgeous Danish chairs from the 1950s.
Sold as a set of six, price for the set. We recommend viewing all our vintage pieces to assess condition. Available to view at our Surry Hills store and please contact us should you require more information about these chairs or any of our available pieces.
Dimensions: 500mm wide x 560mm deep x 780mm high back & 480mm high seat, 420mm seat depth
A beautiful set of six rosewood dining chairs designed by Henning Sørensen and produced by Hos Dan-Ex Denmark in the 1950s. The warm tones of the Danish rosewood beautifully contrasts the new Kvadrat charcoal upholstery to provide an elegant set of chairs that would look at home in any dining setting.
Note: fabric colour is darker to the eye and presents lighter in product photography.
In excellent vintage condition, the frames are solid and present well whilst the chairs have been completely refoamed and reupholstered.
A rare and very beautiful set of gorgeous Danish chairs from the 1950s.
Sold as a set of six, price for the set. We recommend viewing all our vintage pieces to assess condition. Available to view at our Surry Hills store and please contact us should you require more information about these chairs or any of our available pieces.
Dimensions: 500mm wide x 560mm deep x 780mm high back & 480mm high seat, 420mm seat depth
ABOUT THE DESIGNER
Henning Sørensen was a Danish furniture designer active during the mid-20th century, known for his clean, functional approach that aligned closely with the ideals of Danish modernism. His work often emphasized simplicity, fine craftsmanship, and the natural beauty of wood, particularly teak and oak, materials central to postwar Scandinavian design.
Sørensen collaborated with respected Danish manufacturers and contributed designs that blended practicality with elegance, making his pieces suitable for both everyday use and refined interiors. While not as widely known as some of his contemporaries, his work represents the quiet sophistication and enduring appeal of Denmark’s modern design movement.